She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression. Fleda had to declare that she certainly didn't, and that Waterbath had been a warning it would be frivolous to overlook. At the same time she privately reflected that they were taking a great deal for granted, and that, inasmuch as to her knowledge Owen Gereth had positively denied his betrothal, the ground of their speculations was by no means firm. It seemed to our young lady that in a difficult position Owen conducted himself with some natural art; treating this domesticated confidant of his mother's wrongs with a simple civility that almost troubled her conscience, so deeply she felt that she might have had for him the air of siding with that lady against him. She wondered if he would ever know how little really she did this, and that she was there, since Mrs. Gereth had insisted, not to betray, but essentially to confirm and protect. The fact that his mother disliked Mona Brigstock might have made him dislike the object of her preference, and it was detestable to Fleda to remember that she might have appeared to him to offer herself as an exemplary contrast. It was clear enough, however, that the happy youth had no more sense for a motive than a deaf man for a tune, a limitation by which, after all, she could gain as well as lose. He came and went very freely on the business with which London abundantly furnished him, but he found time more than once to say to her, "It's awfully nice of you to look after poor Mummy." As well as his quick speech, which shyness made obscure—it was usually as desperate as a "rush" at some violent game—his child's eyes in his man's face put it to her that, you know, this really meant a good deal for him and that he hoped she would stay on. With a person in the house who, like herself, was clever, poor Mummy was conveniently occupied; and Fleda found a beauty in the candor and even in the modesty which apparently kept him from suspecting that two such wiseheads could possibly be occupied with Owen Gereth.!

"She will, as soon as her mother gets home and tells her." The young couple were to be accompanied by Mrs. Brigstock, and with a prevision of how fiercely they would be watched Fleda became conscious, before the party arrived, of an amused, diplomatic pity for them. Almost as much as Mrs. Gereth's her taste was her life, but her life was somehow the larger for it. Besides, she had another care now: there was some one she wouldn't have liked to see humiliated even in the form of a young lady who would contribute to his never suspecting so much delicacy. When this young lady appeared Fleda tried, so far as the wish to efface herself allowed, to be mainly the person to take her about, show her the house, and cover up her ignorance. Owen's announcement had been that, as trains made it convenient, they would present themselves for luncheon and depart before dinner; but Mrs. Gereth, true to her system of glaring civility, proposed and obtained an extension, a dining and spending of the night. She made her young friend wonder against what rebellion of fact she was sacrificing in advance so profusely to form. Fleda was appalled, after the first hour, by the rash innocence with which Mona had accepted the responsibility of observation, and indeed by the large levity with which, sitting there like a bored tourist in fine scenery, she exercised it. She felt in her nerves the effect of such a manner on her companion's, and it was this that made her want to entice the girl away, give her some merciful warning or some jocular cue. Mona met intense looks, however, with eyes that might have been blue beads, the only ones she had—eyes into which Fleda thought it strange Owen Gereth should have to plunge for his fate and his mother for a confession of whether Poynton was a success. She made no remark that helped to supply this light; her impression at any rate had nothing in common with the feeling that, as the beauty of the place throbbed out like music, had caused Fleda Vetch to burst into tears. She was as content to say nothing as if, Mrs. Gereth afterwards exclaimed, she had been keeping her mouth shut in a railway-tunnel. Mrs. Gereth contrived at the end of an hour to convey to Fleda that it was plain she was brutally ignorant; but Fleda more subtly discovered that her ignorance was obscurely active.

"I want to take her in the right way, don't you know?—treat her as if I gave her more than just an hour or two." Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied. "But it's cured of that now," her companion added.